Entertainment

Meet the Genius Behind the Futuristic Vision of 'Megalopolis': Neri Oxman, Wife of Billionaire Bill Ackman

2024-10-07

Author: Lok

Introduction

In the much-debated film *Megalopolis*, directed by Francis Ford Coppola, viewers are introduced to a groundbreaking urban vision brought to life through the creative collaboration of visionary designer Neri Oxman. While Adam Driver takes center stage as Cesar Catilina—a daring urbanist with a revolutionary building material called Megalon—Oxman’s artistic influences truly shape the film’s breathtaking alternate cityscape.

About Neri Oxman

Neri Oxman, a 48-year-old Israeli-American designer, has been making waves in the design world with her multifaceted explorations in “material ecology.” Her works have graced esteemed venues like the Museum of Modern Art (MoMA) and the Centre Pompidou, firmly establishing her as a trailblazer in her field. In one of her notable projects, she teamed up with music icon Björk to create a stunning 3D-printed mask that visually revealed the singer’s musculoskeletal system during live performances.

Megalopolis and Its Vision

Oxman’s design for the city in *Megalopolis* draws inspiration from a more pastoral past—imagining a future where the remnants of skyscrapers become hills and urban valleys reflect the city's grid. The film itself transports audiences to a place aptly reimagined as New Rome, a canvas that blends innovation with nostalgia.

Oxman's Role in the Film

While Oxman was present at the premiere on September 23, posing alongside Coppola on the red carpet, her contributions went beyond the visual spectacle. In a surprising turn, she also features as Dr. Shira in the film, albeit with much of her character's scientific exposition ultimately left on the cutting room floor. Bill Ackman, her husband and billionaire activist investor, hinted at this on social media following the premiere.

The Ackman-Oxman Duo

Ackman, known for his controversial stances and critiques against diversity, equity, and inclusion initiatives, appears to embody a character one might find in Copolla's intricate narrative. His recent activism—which included a campaign against Harvard’s former president over plagiarism allegations—merges startlingly with Oxman’s own academic controversies. This includes facing backlash over a donation from the notorious Jeffrey Epstein, a situation made even more complex by Ackman’s efforts to quiet discussions surrounding it.

Conclusion

As Oxman continues to explore the intersections of art, science, and futurism, her legacy as the mind fueling the movie's stunning visuals—and the complexities of her life with one of finance's most provocative figures—raises questions about the future of urban development and the role of creativity in art and academia. Keep an eye on this powerhouse couple, as their story is far from over!