World

Is Malaysia's Trade Ministry In Hot Water for 'Stealing' Pavilion Design?

2025-04-26

Author: Li

Unraveling the Controversy

In a shocking turn of events, Malaysia's Ministry of Investment, Trade and Industry (MITI) is under fire for purportedly appropriating a creative agency's concept for the Malaysia Pavilion at Expo 2025 in Osaka! The allegations stem from a viral Instagram post by influencer Fey Ilyas, who claims MITI 'stole' his work.

MITI Investigates Claims

In response to the uproar, MITI has announced a full investigation to uncover the facts behind these serious accusations. "We take this matter very seriously and reserve all our legal rights," the ministry stated, emphasizing its commitment to integrity and compliance. The statement did not mention Fey or his agency by name, which has only fueled speculation.

A Creative Vision Stolen?

Fey alleges that his consultancy, Current Media Group (CMG), was hired in 2022 as creative consultants to design the pavilion’s concept, theme, and architectural direction. He argues that his team worked diligently to secure necessary approvals and forge partnerships that would position Malaysia prominently at the global event.

A Call for Recognition

Fey expressed his frustrations on Instagram, noting that even a small acknowledgment for a project of such grandeur would significantly bolster his company’s reputation and future opportunities. "As a small company, this recognition is vital for us," he lamented, highlighting the struggles faced by emerging creative firms.

Public Reaction and Rising Stakes

Since the allegations surfaced, Fey's Instagram post has exploded, gaining over 24,100 likes and more than 6,000 shares. This public attention underscores the growing discontent among small businesses seeking fair recognition and treatment in their industries.

A Meeting with the Minister Goes Awry

After confronting Trade Minister Tengku Zafrul Abdul Aziz about these issues directly, Fey alleges that he was advised to remain silent or risk jeopardizing future projects. This revelation raises questions about transparency and accountability within the ministry.

What Lies Ahead?

As Expo 2025 approaches, all eyes are now on MITI and how this situation will unfold. Will the ministry own up to the claims, or will legal battles ensue? One thing is certain: this controversy is far from over, and it may reshape how creative partnerships are handled in Malaysia.